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Gossip Girl is none other than Lonely Boy, Dan Humphrey. Turns out “the ultimate insider” truly was the ultimate insider! In a shocking turn of events, when Dan was late bringing the flowers to Blair and Chuck’s nuptials, he overheard Blair bashing him, saying that “despite his years of trying” Dan would never be “one of them.” According to Blair, Dan could never overcome his Brooklyn roots, and that Serena could not end up with someone like him. Disgusted that this topic is still conversation after all these years, Dan gives his final chapter to Nate publishing in The Specatator with the truth about Gossip Girl.绯闻女孩正是孤独男孩丹#86;汉弗莱原来“终极内幕”确实是终极内幕!在事件令人震惊的转变中,当丹将花拿去布莱尔和查克的婚礼迟到时,他无意中听到布莱尔抨击他说:“尽管他多年努力”丹永远不会成为他们“其中之一”根据布莱尔的说法,丹无法战胜他布鲁克林的本质,瑟瑞娜不可能和像他那样的人有结果恶心的是这么多年之后这个话题仍然成为谈话内容,丹把他的最后一章《绯闻女孩的真相给了内特在《观察家中出版In a flashback, we got to see the first time Dan and Serena first met at a party, and thus Dan was inspired to work his way into the ;It; group, no matter what. And Gossip Girl was born...回顾一下,我们看到一开始丹和塞丽娜第一次见面是在一个聚会上,丹被激发他要努力进入 这一群体,无论如何于是绯闻女孩诞生了……Remember that time Gossip Girl labeled all the Upper East Siders during high school graduation? Dan’s label was “The Ultimate Insider.” That should have been the biggest clue right there. And at the beginning of this season, when Gossip Girl said that Serena “was dead to me,” Dan had the exact same attitude towards her. Plus, the very first Gossip Girl blast was about Serena, when she made her comeback into the Upper East Side after her year at boarding school way back. Dan’s object of affection throughout the years: Serena van der Woodsen. He clearly had no qualms about releasing scandalous (true) stories about his friends (publishing his book, Inside). And as all those GG blasts about Dan, even when the content was negative, he was gaining fame and notoriety when he had nothing to lose. Dan, any press was good press.记得那次绯闻女孩在高中毕业时给所有上东区的贵族们的标签吗?丹的标签是“最终的局内人”那应该一直是那时最大的线索在这一季的开始绯闻女孩说瑟瑞娜“对我而言已经死了,”丹对她也是完全相同的态度另外,绯闻女孩第一次爆出的消息是关于瑟瑞娜,当她在寄宿学校一年之后回归到上东区丹这一整年的爱慕对象:Serena van der Woodsen他显然不顾忌发布关于他朋友的丑闻(真实)故事(出版他的书,《 Inside)至于所有那些绯闻女孩爆出关于丹的消息时,即使内容负面,在他没什么可失去时他正收获名望和恶名对于丹,任何新闻都是好新闻 Gossip Girl’s identity has been the biggest mystery of all, and yet, looking back at the series, it should have been obvious that Lonely Boy was the titular blogger. It could not have been anyone else. Bravo, Josh Schwartz and Stephanie Savage, keeping such a huge secret a secret, when it should have been the most obvious answer.绯闻女孩的身份一直是最大的迷,然而,回顾这个系列,它应该一直很明显孩就是名义上的主它不可能是其他任何人真精,乔希#86;施瓦茨和斯蒂芬妮#86;萨维奇让这样一个巨大的秘密成为秘密,当它早应该是最明显的时Swedish researchers said Tuesday what women have suspected all along: that marital woes can often be attributed to men's genetic make-up, according to a study linking a common male gene to relationship problems.  婚姻不幸福?瑞典研究人员于本周二称,这往往是男性的基因组成在“作怪”一项有关男性携带的某种基因与婚姻问题的研究实了女性一直以来的怀疑  The gene variant, which is present in four of Swedish men, can explain why some men are more prone to stormy relationships and bond less to their wives or girlfriends, a team of researchers at Stockholm's Karolinska Institute said.  斯德哥尔卡罗林斯卡学院的一组研究人员称,这种基因变体可以解释为什么有些男性与伴侣的关系不稳定、容易出轨在名瑞典男性中,有四人携带此种基因变体  "There are, of course, many reasons why a person might have relationship problems, but this is the first time that a specific gene variant has been associated with how men bond to their partners," Hasse Walum, one of the researchers, said in a statement.  研究小组成员之一哈瑟?瓦卢姆在一份声明中说:“当然,婚姻出现问题可能有很多原因,但这是首次将某种特定的基因变体与男性对伴侣的忠贞度联系在一起”  The team found that men who carry one or two copies of a variant of the gene often behave differently in relationships than men who lack the gene variant, called allele 3.  研究小组发现,携带一个或两个这种名为“3型等位基因变种”的男性与没有这种基因变种的男性相比,对待婚姻或感情的态度有所不同 59

阅读提示:中文在上,对照英文在下.韦伯经典音乐剧《歌剧魅影日首次亮相北京1986年《歌剧魅影在伦敦西区首演,历经9年,姗姗来迟,终于来到了北京Twenty-nine years after its premiere in London, Andrew Lloyd Webber The Phantom of the Opera was staged in Beijing the first time on Tuesday evening. 90

Bee partisan panels, split-screen shoutfests and brash personalities became ubiquitous on cable news, there were two men who despised each other sitting side by side on a drab soundstage, debating politics in prime time during the presidential nominating conventions of 1968. There were Gore Vidal and William F. Buckley Jr.在有线电视新闻还没有被党派分明的嘉宾、分屏隔岸的对骂和粗蛮的人身攻击淹没的年代,两个誓不两立的男人,肩并肩坐在布置单调的演播室里,以1968年总统候选人提名大会为背景,在黄金时段展开了一场政治辩论他们就是戈尔·维达尔(Gore Vidal)和小威廉·F·巴克利(William F. Buckley Jr.)Literary aristocrats and ideological foes, Vidal and Buckley attracted millions of viewers to what, at the time, was a highly irregular experiment: the spectacle of two brilliant minds slugging it out — once, almost literally — on live television. It was witty, erudite and ultimately vicious, an early intrusion of full-contact punditry into the staid pastures of the evening news.两位文学高士,意识形态的死对头,吸引了数百万观众前来围观这场在当时极不寻常的实验:两个卓逸不群的头脑在直播电视节目上决一死战——一度几乎发展成肉体相搏他们的言语诙谐、学,但终究是恶毒的,这是张牙舞爪的意见领袖入侵古板晚间新闻的早期案例What transpired would alter both men’s lives — and, as a new documentary argues, help change the course of how the American political media reports the news. “Best of Enemies,” which opens July 31, makes the case that their on-screen feuding opened the floodgates today’s opinionated, conflict-driven coverage.辩论改变了他们的一生——而如一部新近出品的纪录片所说,它还将改变美国政治媒体的新闻报道方式7月31日上映的《最佳死敌(Best of Enemies)提出,维达尔和巴克利的荧屏夙怨,为今天热衷于撩拨争议和成见的报道开了先河The film might have been a sober lesson in the erosion of our civic discourse, timed to the start of yet another 7 presidential campaign. But its directors, Morgan Neville and Robert Gordon, present their ideas with a wide scope, exploring the rivalry between their subjects and evoking an era when public intellectuals like Vidal appeared on “Playboy After Dark” and magazine editors like Buckley, the founder of National Review, ran mayor of New York. (He lost.)在又一场不眠不休的总统竞选大战开始之际,这部影片也许可以让我们对公民话语的颓败有一个清醒的认识然而,导演根·内维尔(Morgan Neville)和罗伯特·戈登(Robert Gordon)是透过一个宽阔的视角来呈现他们的理念的,在探究两位人物的角力的同时,影片也唤起了我们对一个时代的记忆——那时候,像维达尔这样的公共知识分子可以登上《深夜秀(Playboy After Dark)之类的节目,而身为杂志编辑、《国家(National Review)创始人的巴克利可以竞选纽约市长(没能获胜)“They don’t make people like Gore Vidal and William F. Buckley anymore,” Mr. Neville said in a recent interview. “Their lives are the kind of American lives that people don’t have anymore. To me, just on a theatrical level, it seemed operatic: this kind of grand battle.”“戈尔·维达尔和威廉·F·巴克利这样的人已经停产了,”内维尔在近日的一次访谈中说“他们过着一种现在的人不可能有的美国生活在我看来,仅从戏剧性的层面来讲,这就像一部歌剧:一场盛况空前的大战”The film’s trump card is the debates themselves — first during the Republicans’ convention in Miami, then three weeks later during the Democrats’ in Chicago — resurrected in rarely seen footage that, 7 years on, remains almost giddily entertaining: “Crossfire” with a script by No氀 Coward.影片的主要卖点就是辩论本身——先是在共和党的迈阿密大会期间,三周后在民主党的芝加哥大会期间又有一场,7年前的罕见文献获得重生,至今看来仍然让人大呼过瘾,就像是照着诺埃尔·科沃德(No氀 Coward)的稿子排演的一集《交叉火力(Crossfire)脱口秀Vidal tells Buckley that he was an inspiration Myra Breckinridge, Vidal’s transgender literary creation: “passionate and irrelevant.” Buckley mocks Vidal’s failed screenplays and produces a note from Robert F. Kennedy, killed weeks earlier, suggesting that Vidal be deported to Vietnam. (Vidal, examining the letter, notes that the handwriting is slanted upward: “sign of a manic-depressive,” he says coolly.)维达尔对巴克利说,自己笔下的跨性别人士迈拉·布雷肯里奇(Myra Breckinridge)这个形象,就是受他的启发创造的:“饱满,不知所云”巴克利则嘲笑了维达尔的烂电影剧本,并给将于两周后遇刺的罗伯特·F·肯尼迪(Robert F. Kennedy)写了张便条,建议把维达尔驱逐到越南(维达尔看了条子,发现巴克利的字向上倾斜:“躁狂抑郁的迹象,”他冷冷地说)Anchors like Howard K. Smith and Walter Cronkite had occasionally offered commentaries on the news, “but that was very civil,” Mr. Neville said. “What they brought,” he added, referring to Vidal and Buckley, “was a whole other level of incivility that television hadn’t really seen.”霍华德·K·史密斯(Howard K. Smith)和沃尔特·克朗凯特(Walter Cronkite)这样的主持人会发表对新闻的,“但那都是很文明的,”内维尔说维达尔和巴克利“带来了一种当时的电视上见识不到的粗鲁”Mr. Neville, who won the feature documentary Oscar “ Feet From Stardom,” and Mr. Gordon, a longtime collaborator, first watched the debates in , on a bootleg copy from a friend. “I immediately was taken by how contemporary it was,” Mr. Gordon said, noting that between zingers, Buckley and Vidal were debating eign wars, racial justice and states’ rights.曾凭借《离巨星二十英尺( Feet From Stardom)获得奥斯卡最佳纪录长片的内维尔,在年和长期合作伙伴戈登一起看到这场辩论,当时是通过一个朋友的私录影像“看上去太像当代的东西,我当场被镇住了,”戈登说,他注意到在刀光剑影之间,两人辩论的是外国战争、种族正义和联邦诸州的权力But the directors, both mer journalists, also discovered that the debates’ legacy became more about ire than ideas.然而两位作过记者的导演还发现,辩论留下的传奇更多侧重于愤怒而不是理念Buckley showcased provocative debate on “Firing Line,” his program which had its debut in 1966; Vidal was a mischievous guest on talk shows. But the film presents network news in 1968 as a gray affair. When A hired Buckley and Vidal to hold daily debates during its convention coverage — essentially a ratings stunt by a network ranked last in the ratings — it was breaking from the gavel-to-gavel norm.在他自己的一个首播于1966年的节目《火线(Firing Line)中,巴克利展现了极具挑衅性的辩术;脱口秀上的维达尔也是出了名的毒舌但在影片中,1968年的电视网新闻处在一种灰色状态A请来巴克利和维达尔,要他们在政党大会报道期间进行每日例行的辩论,目的是背离部就班的节目常态——根本上是一个收视率垫底的电视网在人眼球And then some. On a night of riots at the Democratic convention in Chicago, Buckley and Vidal had their own climactic on-air clash. Vidal called Buckley a “crypto-Nazi,” prompting a reaction that still stuns.结果何止是背离在举行芝加哥民主党大会的那个暴戾的夜晚,巴克利和维达尔的冲突在众目睽睽之下达至顶峰维达尔称巴克利是个“秘密纳粹”,后者的反应至今看来仍十分惊人“Now listen, you queer,” Buckley replied, “stop calling me a crypto-Nazi or I’ll sock you in the goddamn face and you’ll stay plastered.” He was nearly out of his chair, inches from Vidal, his face, as Christopher Hitchens recalls in the film, “a rictus of loathing.”“你这个娘娘腔给我听好了,”巴克利说,“再说我是秘密纳粹,我就给你那张臭脸上来一下,让你就一直这么瘫着”他几乎已经从离开自己的椅子,离维达尔只有几厘米,克里斯托弗·希钦斯(Christopher Hitchens)在片中回忆,巴克利的脸上带着“一种憎恶的狞笑”Such slurs are rarely heard on television today; at the time, they were deeply profane, and the exchange was cut from the West Coast broadcast, according to Mr. Gordon. Vidal saw it as a triumph; Buckley almost never spoke of it again.这样的诋毁,在今天的电视上已经很难见到了;据戈登说,当时两人都粗口连篇,这段对话在A的西海岸播出中被删掉维达尔认为这是一场胜利;巴克利此后几乎再也不提此事“Best of Enemies” documents the aftermath: News producers, intrigued by A’s ratings increase, began pitting liberals against conservatives. A montage features an old “PointCounterpoint” segment from “60 Minutes”; Jon Stewart berating the hosts of CNN’s “Crossfire”; and shouty clips from Fox News.《最佳死敌还记录了节目播出后的情形:在A收视率飙升的刺激下,新闻制片人们开始有意安排自由派和保守派人士的较量片中收录了一系列节目片段:《60分钟(60 Minutes)的一段“针锋相对”(PointCounterpoint)老画面;乔恩·斯图尔特(Jon Stewart)痛斥CNN《交叉火力的主持人;以及Fox新闻频道(Fox News)上的咆哮The film, which debuted this year at Sundance, has resonated: The screenwriter Aaron Sorkin recently signed on to write a feature-length dramatic adaptation. “I’d never heard about the VidalBuckley debates bee seeing the documentary,” Mr. Sorkin said by email, comparing the climactic debate to “a classic courtroom scene.”这部今年在圣丹斯电影节(Sundance)上首映的影片引发了共鸣:电影剧作家艾伦·索尔金(Aaron Sorkin)近日签下了一个故事长片剧本改编合同“在看到这个纪录片之前,我完全没听说过维达尔和巴克利的辩论,”索尔金在电子邮件中写道,他把辩论的高潮部分比作“一场经典法庭戏”Research the documentary took years, with the directors plumbing archives gems like Vidal’s handwritten debate notes. (Many of his supposed ad-libs were, in fact, rehearsed.) The directors interviewed Vidal in , two years bee his death, at his Hollywood home, where he initially accused them of being Buckley partisans. “It was like a scene from ‘Sunset Boulevard,’ ” Mr. Neville recalled.影片进行了数年的调研,两位导演挖到了许多珍贵的史料,比如维达尔手写的辩论笔记(他的许多看似即兴的讲话,实际上是经过排练的)导演在年前往维达尔在好莱坞的家中采访了他,那时距离他去世还有两年维达尔一开始指责两人是巴克利的党羽“简直就像《日落大道(Sunset Boulevard)里的场景,”内维尔说That interview does not appear in the film; Buckley died in , and the directors felt allowing only Vidal to speak would unbalance the film. Instead, they draw on journalists, media critics and relatives, including Buckley’s brother Reid. Buckley’s son, Christopher, declined to speak. “I think it was honoring his father’s intentions to not ever speak of the V-word again,” Mr. Neville said.影片中没有出现那段采访;巴克利是年去世的,他们不想只有维达尔在说话,导致影片失衡他们采访了记者、媒体人和亲属,包括巴克利的弟弟瑞德(Reid)巴克利的儿子克里斯托弗(Christopher)拒绝接受采访“我认为他是在遵照父亲的意愿,永远不再提那个V打头的词,”内维尔说Mr. Neville, who briefly worked as a fact-checker Vidal after college (“One of the most thankless jobs I’ve ever had”), said that audiences frequently tell him how relevant the film seems to today’s media culture. Mr. Gordon regards that as a hopeful sign. “People are hungry the public intellectual,” Mr. Gordon said. Buckley and Vidal “had minutes a night, uninterrupted. Imagine that today. Imagine having two witty, literate heavy thinkers having a go at each other minutes without someone in the headset saying, ‘Quick, talk about Monica Lewinsky’s underwear.’ ”内维尔大学毕业后曾为维达尔作过一阵子的事实核查工作(“这辈子最吃力不讨好的差事”),他说时常有观众告诉他,影片放在当下的媒体文化中是十分切题的戈登认为这是个喜人的迹象“人们迫切需要公共知识分子,”戈登说巴克利和维达尔“每晚有不间断的分钟再看看今天你能想象两个满腹经纶的思想家就这样你来我往分钟,中间不会听到耳机里传来一个声音,‘快,说说莫妮卡·莱温斯基的内衣’”Mr. Neville agreed. “Now, you watch cable news, and you know what everybody’s going to say bee they open their mouth,” he said. Buckley and Vidal “were independent thinkers, and independent thinkers aren’t given a lot of time on television today.”内维尔也这样看“你去看有线电视新闻,这些人一张嘴,你就知道他们要说什么,”他说巴克利和维达尔“是独立的思想者,独立的思想者在今天的电视上得不到多少机会”Few current news programs can match the lexical fireworks of the Buckley-Vidal debates, and it is true that the words “Latinate” and “hobgoblinization” are unlikely to be heard on CNN anytime soon.在如今的新闻节目里,巴克利-维达尔论战这样排山倒海的词汇量已经很难见到,在CNN听到“Latinate”(类拉丁文的)和“hobgoblinization”(精灵化)之类的词机会很渺茫But “Best of Enemies” also proves something else: that even during a more genteel era in television news, the most pedigreed and respected intellects could descend into name-calling and, a moment, the threat of physical violence.然而《最佳死敌还明了一件事:即使在电视新闻还正襟危坐的年代,最受敬仰、最纯粹的知识分子也会堕落到人身攻击的层次,甚至一度要诉诸肢体暴力Mr. Sorkin, who lamented the state of television news in his HBO series, “The Newsroom,” was asked what today’s news media might learn from these debates nearly half a century old.索尔金曾在他的HBO剧集《新闻编辑室(The Newsroom)中哀叹电视新闻的现状,那么他认为今天的新闻媒体能从将近半个世纪前的辩论中学到什么呢?“I think they’ve learned it,” Mr. Sorkin replied. “Incivility rates.”“我认为他们已经学到了,”索尔金答道“无礼言行有收视率” 9Writers Marc Klein and Jason Keller use the original fairy tale as the jumping-off point a story that lets Snow White take more control of her destiny. Mirror Mirror has all the basics: a King who disappeared leaving his young daughter with snow white skin and raven hair in the care of an evil stepmother. The Queen is jealous of Snow White beauty and doesnt want her distracting the handsome Prince, so she sends her off to be killed by a henchman in the est surrounding the kingdom. The Queen servant cant go through with the murder and leaves Snow to fend herself in the terrifying est that home to a vicious beast. 编剧马克#86;科雷恩和贾森#86;凯勒根据原来的童话故事编写了该电影剧本影片的一些基本情节没有变动,只是白雪公主对自己的命运有了更多的掌控国王突然消失了,年幼的公主交由邪恶的继母照料公主有着白皙的皮肤和一头乌黑的秀发,皇后嫉妒白雪公主的美貌,更不想看到帅气的王子被她迷倒,将她流放到王国周围的森林里,命令一个亲信杀掉公主皇后的侍从下不了手,便将白雪公主留在了可怕的森林中任其自谋出路——这个森林里住了一头凶猛的野兽Rescued by seven dwarfs, Mirror Mirror version of the story finds the dwarfs (who have resorted to robbing anyone who travels through the est, including the Prince and the Queen tax collector) teaching the young beauty how to handle a knife and a sword. Snow becomes a member of the dwarfs little band of thieves, though only after making them pledge they will return the gold theyve stolen from the Queen to the poor townsfolk who have suffered greatly since the Queen has taken over the country following the King disappearance. 在影片《白雪公主之魔镜魔镜中,七个小矮人也一样救了白雪公主这里,七个小矮人常常在森林里抢劫人们的财物,王子和皇后的收税员也都成了他们的猎物年轻美丽的公主跟着小矮人们学会了如何挥刀舞剑,成为这个盗匪小团伙中的一员;不过,前提是他们得保将从皇后那里偷来的金子返还给可怜的市民自从国王消失、皇后掌握国家大权以来,市民们就生活在了水深火热之中Can Snow White save the kingdom? Will she win the love of the handsome Prince? And what will become of the narcissistic Queen? Really? You need to ask these questions? 白雪公主拯救得了整个王国吗?她能赢得英俊王子的爱么?自恋的皇后又会变成什么样子?真的?你还需要问这些问题吗?Visually enchanting, Mirror Mirror is an example of style over substance, of the use of brightly colored costumes and fantastical sets to distract viewers rather than enhance the story. Still, Mirror Mirror does occasionally work - almost in spite of itself - despite its inability to find and settle on a tone. 《白雪公主之魔镜魔镜视觉上养眼,形式盖过了内容影片使用了大量色鲜艳的装和奇幻的摄影布景,非但没有给故事本身增色添,反倒转移了观影者的注意力虽然这部电影很难把握并确定一个基调,不过,姑且不说电影本身,影片某些地方还是不错的 1887

The Harry Potter Magic World Tour has arrived in China the first time.哈利波特魔法世界巡演近日第一次抵达中国The show was first launched in , and has aly travelled to cities such as New York, Toronto, Sydney, Tokyo and Singapore.这一巡演于年首次发起,并且已经在纽约,多伦多,悉尼,东京和新加坡等多个国家及城市举办This Harry Potter experience opened in Shanghai Super Brand Mall over the weekend, with the Weasley brothers actors James and Oliver Phelps given the honour of waving the wand to officially open the show.这个周末,哈利波特魔法世界在上海正大广场正式开启,在电影中“韦斯莱双胞胎”的扮演者詹姆斯和奥利弗·菲尔普斯亮相现场,挥舞着魔杖并宣布展览正式开始The show has brought more than 1-thousand costumes, props and life-sized models to Shanghai, to recreate the original magic world of Hogwarts School of Witchcraft and Wizardry.这次在上海的展览共带来了超过00套的电影戏、道具和真人大小的模型,重现了包括霍格沃茨魔法学校在内的原汁原味的魔法世界Visitors can walk through the Grand Hall of Hogwarts, Harry Potter dormitory, the Quidditch playing field, and est keeper Hagrid wooden cabin, or take the opporty to explore the dark magic and creatures in the bidden est.游客可以游览到霍格沃茨的大礼堂、哈利波特的宿舍、魁地奇操场以及海格的木屋等多个场景除此之外,你还有机会前往禁地森林去一探黑魔法之谜The Shanghai tour also provides a special audio guide, with behind-the-scene stories being related by the film producers, costume designers and magical creature designers.本次上海的巡演还会提供一套独家语音讲解,哈利波特系列电影的制作人、装设计师和魔法创意设计师将为大家讲述电影背后的故事The show runs till the end of February of next year.本展览预计将会持续到明年的月底结束 78

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